Future Products Influenced By Gianni Versace Fashion Essay

Future Products Influenced By Gianni Versace Fashion Essay Summary The main purpose of this report is to give some useful advice to develop future product ranges through researching the design of the late Italian fashion designer Gianni Versace. Firstly, as the founder of Versace fashion house, Gianni Versace was an extremely powerful designer who had won a great number of nobles and awards. Because of his glamorous design, many celebrities were his fans. Versace nurtured a group of supermodels who plays an essential role in his fashion empire. Secondly, Gianni Versace s design principles are sexiness, luxury and detail, his design philosophy is representing the energy of human body. Thirdly, through the contrast and compare the designs of Gianni Versace, Giorgio Armani and Roberto Cavalli, it is clearly to see the similarities and differences between these Italian fashion hierarchs. In addition, it is impossible to avoid discussing the great influence Gianni Versace had on contemporary fashion and the reason his design is still relevance today which is the spirit of innovation and luxury. Finally, there are several suggestions may be useful to develop future product ranges such as applying luxurious materials, sexy cut and exquisite decorations. Findings About the Designer Among the first-class fashion brands in Europe, Versace from Italy is undoubtedly an iconic flag which is emitting radiant and luxuriant sparkles. It presents the pioneering culture of contemporary fashion, interprets the full-bodied humanistic emotion from South Italy through a strong perception of aesthetic. The founder of the brand, Gianni Versace, dedicated his entire life into pursuing of the beauty of fashion, has been honored as one of the greatest fashion designers on the planet. At the very beginning, Gianni Versace s design did not cause a worldwide impact, until he met the famous American photographer, Richard Avedon who captured successful collections with innovative pictures of sultry male and female models interlocking their sprawling bodies. Versace s unique and stylish works began to appear on covers of world s most famous fashion magazines. His extremely avant-garde artistic characteristics, attractive style of the Renaissance and imaginative patterns have gradually been accepted and appreciated by fashion insiders. He has won numerous awards such as Commendatore della Repubblica Italiana , Grande Medaille de Vermeil de la Ville de Paris and the Maschera DArgento prize for his huge professional contribution to the theatre, the most significant one is the much-coveted CFDA International Award which is known as the Oscar in fashion industry presented by the Council of Fashion Designers of America. ( Gianni Versace , 2007) Followers of Gianni Versace have a wide range of identities from royal members to rock stars; glitterati such as Elton John, Madonna and Bon Jovi are devotees of him. He successfully combined great passion for art, high-level fashion design and top models he cultivated became one of the most energetic organizer and participant of international luxury fashion show. Tragically, at the peak of his life, Gianni Versace was shot dead in front of his mansion in Miami, Florida. The bullet terminated a romantic legend from Mediterranean. Design philosophy and principles Pursuing of innovation, luxury and detail was always the design principles of Gianni Versace. If consumers found some garment which made them feel ablush with shame because of the bold luxury and fearless reveal, at the same time could not help themselves trying it on. That must be Versace s work, because the philosophy of Versace is: Don t destroy body s energy, do not . Versace s design combined classical and trendy spirit, wondering around between elegant and vulgar style. His works were symbol of avant-garde fashion which has extremely unique beauty, emphasized cheerful and sexy. The most glamorous ones are those presenting characteristic of the Renaissance which fulfilled with imagination at the same time. These patterns are beautiful, sexy, feminine and colourful, combine dramatic luxury, wearing comfort and body fitness. Speaking of classical, royal luxury is an essential element in his design, including graceful smooth linellae, bright colourway, noble and luxurious fabric and bias-cut style. (Martin, 1997) Actually speaking, Versace s design is not as tough as it appears. Trousers with metal mesh and shiny decorations, dresses made of animal skin created a female image between warrior and enchantress. Embroidery and metal mash tones is a recurrence of deco art. The variation of black and white linellae makes individuals recollect 1920s style. A variety of tie-up dressing is a reflection of North African feeling. Bias-cut is the most powerful and precious nature of Versace s design, bonding with gem colourway and smooth linellae, generated infinite glamorous of asymmetric. He adopted luxuriant fabric, crossed over tough geometric linellae and curves of soft body through bias-cut. (Casadio, 1998) Speaking of men s wear, Versace created a bold, magnificent even sultry style by applying of animal skin and the size is slight loose and comfortable, but the keynote is still bias-cut technique. Wide shoulder and extremely detailed treatments hint some kind of science fiction, people named it futurist design. Linellae is an essential factor of Versace s design, suits, dresses and overcoats were all marked by smooth linellae, presented sexy image of female body. Luxury, sexiness and bright colour are his style and the reason celebrities love his design. In the fiercely competitive industry of luxury, the inherent mystique of Versace is unparalleled. Sexy, coquettish and contrasty design uniting with iconic snake-headed Medusa from ancient Greek mythology sublimed his design into legend. Contrast to other contemporary designers Giorgio Armani Comparing to Versace s unique and sexy style, Giorgio Armani s design is much more unobtrusive and never trendy. He could create a perfect and marvelous balance between market demand and glamorous fashion, neutral colourway, elegant tailoring make consumers have no need to flaunt. Removing irrelevant and redundant details is a great contribution of him to fashion tailoring. Armani s concise style always roamed between classical and modern sense, blurred the boundary, expressed the unique showily temperament of European traditional garments. At the same time he masterly interweaved modern feeling into classical imagery, gave garments boundless prospect. People may find it ordinary at the first sight, but afterwards they will feel high-spirited modern passion and the pure dignity without complexity. (Armani, 2003) Giorgio Armani s design style is mostly different from Gianni Versace s, but these two powerful Italian designers certainly have some similarities. Firstly, luxury is the common pursuit of them, regardless of the specific style; Armani and Versace are both symbols of luxury fashion. Secondly, they have great passion adopting high-quality fabrics in order to create excellent texture. In addition, Mediterranean glamour is the core spirit of their design. Roberto Cavalli Speaking of Italian fashion designer Roberto Cavalli, the style of his design is similar to Gianni Versace s in some ways; he is also a pioneer and innovator in the fashion world just like Mr. Versace. From 1960s when Roberto Cavalli founded his company, the wild and sexy style has always been the label of his design, the wildest design in Milan. In 1990s, Cavalli s works became a unique symbol apart from the fashion main stream, contradictions and conflicts were everywhere in his design: two very different kinds of fabric combining together, mixture of concise and luxury, wandering around between formal grace and free style completely collapse the inflexible fashion theory. Double-faced characteristic representing both mild and tough, steady and wild, has become the aesthetic standard of new generation. Roberto Cavalli, the hierarch of wild fashion only design following his own method. Luxury furry coat, traditional embroidery and knitwear with luxuriant pattern are well-known chic items; turning simple elements into luxuriant design, drawing materials from nature are his frequently-used technique. However, the most attractive element of his style is apparently the scent of hormon e. (The Independence, 2010) Striking colourway, sexy cut and luxuriant fabrics are the common pursue of Mr. Cavalli and Versace. Animal print, chiffon, velvet, silk, fur, leather, jewel, and baroque embroidery are highlighted words in their design dictionary. Although their designs are similar, there are apparently some differences. Roberto Cavalli s design emphasized elements drawing from nature, so it is slightly wilder than Versace s. On the other hand, Versace focused on the elegant tailoring and bias cut therefore it is more glamorous to a certain extent. Influence in contemporary fashion After Mr. Versace s gone, Donatella his sister has handled the torch and managed to keep Versace in the centre of fashion industry, inheriting her brother s spirit, impressing fashionistas and the fashion critics. It is impossible to neglect the great influence Gianni had on the fashion industry. His signature style was bold, maybe too bold for some critics so that they declared Versace s garments were shallow, flashy and narcissistic. He often took inspiration from the blocks, suggesting wild sexiness and even bondage. It is still easy to find some elements which are very similar to Gianni s style in recent years collections such as animal print, sexy cut and even metal mesh. Today, most individuals believe that the style of minimalism is the main stream of fashion industry, less is more is a popular saying, even some people s favorite quote. It is true that minimalism is an elegant style through concise cut and simple colourway. However, fashion is never a monotonous world but a multifarious wonderland, and this is the reason people love it more than anything else. The artistic influence of Gianni Versace in the fashion world and stage was actually unparalleled, because his design is extremely unique, innovative and luxury. Conclusions From 1972 he started his career in Milan as a fashion designer when he was 25 to 1997 tragically been shot to death in front of his house in Miami, Gianni Versace had received a great number of honours and awards for his great contribution to fashion industry. His fascinating design was known by colourful printing, sexy cut, exquisite decorations and luxuriant materials. Pursuit of innovation, esthetic and luxury is always his design philosophy. As independent avant-garde design, his works express innovative elements and boundless imagination, at the same time has characteristic of the Renaissance. Through comparing to other contemporary fashion designers, it is clear to see Gianni Versace s design is comparatively unique. It is totally the opposite of concise design and style of minimalism, striking colourway and luxury are his labels. On the other hand it has its own special glamour of Mediterranean such as elegant tailoring, exquisite decorations and smooth linellae. Although Mr. Versace had been gone for more than a decade, his design is still relevance; people can easily find his impact to today s designs. No one can deny the artistic influence of Gianni Versace s design to contemporary fashion. Recommendations Through above research, it is clearly to see the great value in Gianni Versace s design. Although today s main stream of fashion may be minimalism, there are still numerous of applicable elements in his works. There are several recommendations below may be useful to develop future product ranges: 1. Design should be more luxurious. Although it is unnecessary to use too many exquisite decorations and avant-garde materials, at least high quality fabrics should be applied. Not any individual would pay for garments made of paper. 2. Tailoring should be sexier. Sexy and bias cut should be applied into future products, the reason is simple: everyone likes to be sexy. 3. Selectively apply some decorations. There is no need to use too many of them, a few exquisite decorations could be the finishing touch to the picture of a dragon. Bibliography: Armani, G. (2003) Giorgio Armani, Royal Academy of Arts, London. Casadio, M. (1998) Versace, Thames and Hudson Ltd, London. Celant, G. (1997) Gianni Versace: the art of being you, Abbeville Press, New York. Ghosh, D. Versace: Gianni s Legacy and Donatella s Chutzpah , (2009) Life in Italy, Available: http://www.lifeinitaly.com/fashion/versace.asp (accessed: 2010, October 17) Gianni Versace , (2007) ABT, Available: http://www.abt.org/education/archive/designers/versace.html (accessed: 2010, October 23) Gianni Versace , Fashion Model Directory, Available: http://www.fashionmodeldirectory.com/designers/gianni-versace/ (accessed: 2010, October 17) Gianni Versace, fashion designer , (2007) Fashion Infomat, Available: http://www.infomat.com/whoswho/gianniversace.html (accessed: 2010, October 20) I love a woman, I love to judge how beautiful she is, how beautiful I can make her (2010) The Independence, 30 Oct, p. 24. Martin, R. (1997) Versace, Thames and Hudson Ltd, London. Special: A Tribute To Gianni Versace , Fashion Design, Available: http://www.made-in-italy.com/fashion/fashion_houses/versace/intro.htm (accessed: 2010, October 17) Versace, G. (1996) Do not disturb, Abbeville Press, New York. Versace, G. (1994) Men Without Ties, Abbeville Press, New York. Versace, G. (1997) Rock and Royalty, Abbeville Press, New York. Versace, G. (1992) Versace Signature, Abbeville Press, New York. White, N. (2000) Reconstructing Italian Fashion, Berg, Oxford, UK. Wilcox, C. (2002) The art and craft of Gianni Versace, VA, London. Illustrations A Legend In Fashion: Gianni Versace , (2010) The Vintage Independent, Available: http://thevintageindependent.blogspot.com/ (accessed: 2010, November 11) Couture Fashion Week in New York , (2010) Manhattan Style, Available: http://www.manhattanstyle.com/arts-entertainment/celebrities/couture-fashion-week-in-new-york/ (accessed: 2010, November 13) Giorgio Armani 2009 spring/summer , (2009) Fzengine, Available: http://b.fzengine.com/pic/4360_3D0B.html (accessed: 2010, November 12) Giorgio Armani back to 80s , (2009) Ifeng, Available: http://fashion.ifeng.com/video/wqsssc/detail_2009_12/04/178132_0.shtml (accessed: 2010, November 12) Gianni Versace , (2010) Swotti, Available: www.swotti.com/people/gianni-versace_17551.htm (accessed: 2010, November 11) Gianni Versace Madame X evening gown, 1980s-90s , (2010) Vintage Textile, Available: http://www.vintagetextile.com/new_page_637.htm (accessed: 2010, November 12) NE?Tiger 2010 Spring/Summer Fashion Show , (2010) Wedding Inspirsi, Available: http://www.weddinginspirasi.com/2010/01/27/ne-tiger-2010-spring-summer-fashion-show/ (accessed: 2010, November 12) Roberto Cavalli , (2010) Photobucket, Available: http://s104.photobucket.com/albums/m185/michelita_martinez/?action=viewcurrent=cover_roberto_cavalli_2006_.jpg (accessed: 2010, November 12) The Fabulous House of Versace Donatella Versace Exclusive Interview by Colin McDowell , (2010) Luxe-Gifts, Available: http://luxegifts.blogspot.com/2010/03/fabulous-house-of-versace-donatella.html (accessed: 2010, November 10)

Was the Civil War Fought over Slavery?

The Civil War was the bloodiest war in all of America's history. But some things still remains a mystery in the Civil War. There were many reasons to how the Civil War was cause. A lot of people thinks that slavery was the cause,but it is only one of the many causes. Slavery, Economy, and State's Rights were the main cause to the Civil War. The slavery brought tensions,many differences in economy,and fighting for a cause. Tensions rose as Republicans and Democrats fight for a solution in slavery,the North and South many differences in their economy,and reasons to fighting in the Civil War.The Civil War was fought for slavery, economy, and State's Rights. During the 1860s election,the topic of slavery brought many political tensions to the Republicans and Democrats. The Republicans was an anti-slavery party. The Republicans disagree of the spreading of slavery and would take this issue to Congress,whenever they can,to stop its expansion. They viewed slavery as an a problem that would last forever,and thought the problem would soon lead to extinction As for the Democrats,they were pro-slavery party.They viewed slavery was good not only for the slave holder,but also for the slave(John C. Calhoun). In the 1850s Abraham Lincoln said that slavery was â€Å"an unqualified evil to the negro, the white man, and the State,† but later on in his first Inaugural Address he said that he had â€Å"no purpose, directly or indirectly, to interfere with slavery in the States where it exists. †Abraham Lincoln personally didn't like slavery but as a Republican he wished to abolish it. But as the President of America,he made a promise to the Constitution,which protected slavery.Therefore the tension that rose from slavery resulted in constant fighting of the Republicans and Democrats. The North and South had many differences one of their differences is their economy. In 1793, Eli Whitney's invention of the cotton gin,profited a lot. It reduced time the time it took to separate the seeds from the cotton. But it also increase the number of slaves on the plantation.Because of this machine that means that there will be more plantations which means that there will  be a greater need for slaves. The South soon became a cotton crop economy,depending on slaves. While the North was a factory economy relying on wage labors than slaves. To sum up this make the major difference in the economy of the North and South (http://americanhistory. about. com/od/civilwarmenu/a/cause_civil_war. htm). The North and South had many reasons to why they fought in the Civil War,but slavery was not the main reason. In Lincoln's first Inaugural Address he declared that it was his job to look after the Union.He also said that he has no intention of freeing the slaves. The Confederacy couldn't accept this so on April 12, they attack Fort Sumter resulting in the beginning of the Civil War. Few states cut off ties with the Union, after more attacks. So to keep ties with remain ing states Lincoln insisted that the war was not about slavery or black rights but was to protect the Union (http://www. pbs. org/wgbh/aia/part4/4p2967. html). The South fought out of fear and for their rights to secede. The Union abides by the Constitution and the South fought to abandon the Constitution.In conclusion the many reasons of the North and the South does not have slavery as the main reason (http://library. thinkquest. org/CR0215469/secession. htm). The Civil War was fought on slavery, economy, and State's Rights. Therefore the tensions that rose resulted in the Republicans and Democrats constantly fighting,the Economy being the greatest difference in the North and South,and slavery not the only reason for fighting in the Civil War. Slavery may be the most important cause but it is not the only cause for the Civil War.

The Moldau

Connie Ju| [The Moldau] Smetana | Year 11 Music 2 Musicology Essay| | Smetana’s Moldau is a musical portrayal of the main river which runs through the countryside of Bohemia (present day Czech Republic). The piece begins with a sweet one bar theme that is played by two solo flutes, representing the trickle of a small creek. The soft melody played in piano and â€Å"lusingando†, which means to be played in a coaxing style, convey the delicate and smoothness of the water.The ascending semi-quavers accompanied with a slight crescendo at the beginning of the phrase as well as a two quaver rests at the end of the bar create a rippling effect, symbolising the slight waves of a stream. Furthermore, the lone plucked pizzicato quavers by the strings add small splashes of colour to decorate the continuously flowing melody of the airy flutes. The light, fluttering tone colour of the solo flutes and the thin texture portray the clear appearance of the water as it makes its way acro ss the land.Bar 1 -2 (solo flutes) Bar 1 -2 (accompanying strings) The first bar theme is repeated to become the basis of this extract, however there are also variations of the theme were the starting note is changed to indicate a different scenery or perhaps some animals, such as small fishes, that are swimming through the water that make the river full of life. Bar 5 (repeat of the theme)Bar 8 (variation of theme) Bar 10 (variation of theme)The texture of this work begins as very thin as there are only solo flutes that play the melody that portray the simple and tiny stream accompanied with light pizzicato of strings that add to the tone colour. This means that the start of this piece is played in a thin homophonic texture. Bar 1 -4 (homophony) However, when the texture at bar 16 is compared to the first four bars, it is thicker as there is the addition of clarinets that play an alternate melody. This new melody is in a contrary motion to the existing flute melody and plucking st rings which represent widening of the tiny creek so the water is moving a bit more wildly.The polyphonic texture consists of two major layers and the randomly placed pizzicato chords which are a reminder of water’s unpredictable motions. Bar 16 (flutes, clarinets, strings – polyphonic texture) The two small rivers that make up the larger Moldau meets at bar 28 where the clarinets stop for a bar and the violas begin their melody. This short bar acts as a bridge, the connection where the bodies of water finally merge to create a great river. The bigger river in bar 29 is conveyed by the three different layers, flutes, clarinets, and violas.Continuous semi-quavers that rise and fall in pitch still represent the fluidity and continuity of the water but now the extra layer means that the river is wilder with bigger waves and other movements. Bar 28 (melodies played by flutes and strings) Bar 29-30 (flutes, clarinets, viola) Bar 36 sees even more layers as the strings begin to play the flowing melody of the river. The start of the larger body of water is indicated by a strong perfect cadence by the lower strings (bar 36). At the widest point of the river, bar 40, the whole orchestra plays.All the instruments playing together expresses the notion that this is the climax of the river and it is wildest at this point. The wind instruments, however, play a slower melody of slurred crochets and quavers with a drawn out crescendo and the instruction of â€Å"dolce†. The new melody presents the idea that the river is experiencing different landscapes, such as quiet, peaceful pastoral lands or rolling hills in the distance. This polyphonic texture continues until the end of the excerpt. These additional tone colours further build upon the majestic nature of the river as well as its more powerful movements.Bar 36-37 (increased layers) Bar 40 (different melodies, thick texture) The dynamics of this piece correspondingly represent the growth of the river. I n both bars 1 and 2, there is a lone crescendo plus an accent, this is the river just starting out so it is not very dramatic compared to bar 20 and 21 where there is a crescendo and a decrescendo within one bar. Moreover, in bars 41-42, not only are there crescendos and decrescendos but the additional sforzando sign.The â€Å"p† for piano in the bar directly after (bar 43) simply adds to the tempestuous nature of the water as there are more dramatic things happening in a faster-flowing large river. Bar 1 (slight crescendo, â€Å"lusingando†, accent, â€Å"p†) Bar 20-21 (crescendo and descrendo) Bars 41-43 (dramatic dynamics) The tone colour of the instruments also changes as the river grows. The solo flutes at the beginning create a sweet, airy, light sound of a stream but the orchestral playing altogether from bar 40 onwards makes a stormy sound much like the torrents of a wild river.Having the lower strings playing the melody instead of the winds depicts the strength of the matured river compared to the higher pitched flutes that represented the fragility and daintiness of a stream. Bar 40 (full orchestra playing – polyphonic texture and extra tone colour) This musical program by Smetana artistically conveys the development of the iconic Moldau River through the use of various techniques such as texture, structure, rhythm, tone colour, and dynamics. He is able to represent all the aspects of the constantly moving river, beginning with a delicate stream and finishing with a majestic river. Word Count: 940

African Americans Fighting For Their Rights Essay

African Americans: Fighting For Their Rights During the mid 1950s to late 1960s African Americans started responding to the oppressive treatment shown to them by the majority of white people in the country. They responded to the segregation of blacks and whites during that time and the double standards the African Americans were held to. African Americans responded to their suppression by participating in boycotts, marches, sit-ins, and trying to get legislation passed so that they could overcome their degrading situation. They were successful in many of these actions and through them brought around more rights for African Americans. Boycotts were a major way that the African Americans got their voices and wants heard. The most famous†¦show more content†¦There were also boycotts of businesses where the segregation of African Americans was still very prevalent. Many of these boycotts were successful. The boycotts caused enough financial difficulties that the segregated businesses either had to close or integrate. Dine rs where African Americans had to sit separate from white people or where African Americans weren’t served at all were boycotted against as well until that diner served African Americans and allowed them to sit wherever they wanted and with whomever they wanted. Diners also faced the difficulty of sit-ins if they refused to serve African Americans. In Greensboro, North Carolina, a black college student named Joseph McNeill was refused service at the counter of a restaurant. The next day he and three of his friends came and sat at the lunch counter waiting to be served. They weren’t served that day. The four of them returned to the lunch counter each day, but were never served. 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